Marcia's album "Woodland Moons" has remained at the number 2 spot for the OWMR Music charts for the month of February. See below...
The ZMR Awards has nominated Marcia Watson Bendo and "Woodland Moons" for Best New Artist. The Award ceremony and concert will be held on May 18th at the House of Blues in New Orleans, Louisiana. More info on the event.
Marcia’s album “Woodland Moons” has been nominated for “Best Neo Classical Album” and “Album Of The Year” by the One World Music Awards. The winners will be announced at the 6th Annual OWMR Awards Show, 9th June 2019.
For a list of all the nominees, click here
Marcia's album, "Woodland Moons" has registered at #2 on the One World Music Chart for January 2019. See Chart
Posted and Archived here. Repost with permission. Review by Candice Michelle
Woodland Moons is the remarkable debut album from composer and multi-instrumentalist Marcia Watson Bendo. A native Oklahoman currently residing in Texas, she was inspired to create an album based on the full moon names of the indigenous Woodlands People, the Anishinaabe. Herself a member of the Potawatomi tribe of whom comprise part of this larger group of indigenous peoples of upper North America, Bendo has mastered the art of playing on Native American-style flutes, which appropriately lead this album with captivating melodies.
Set to twelve contemporary arrangements accompanied by keyboards, strings and percussion, Bendo takes the listener on a fascinating musical journey through the seasonal year, with her lovely compositions evoking a serene sense of innocent wonder and connection to nature.
“Fallen Leaves Moon” is a lovely opener wherein Bendo’s graceful flute melody takes the foreground while an accompanying piano melody just underlies it, as the other classical instruments seemingly create an aural backdrop of gently cinematic orchestration. Following next is “Planting Moon”, a more dainty and whimsical piece that moves at a quickened waltzing pace. As with many of Bendo’s compositions, this one brings-to-mind that of watching a Nutcracker Ballet style performance.
Many vivid scenes are conveyed throughout this album, such as on “Midsummer Moon”, which employs the sounds of breezy tones and sprinkling chimes as they effectively paint images of fireflies dancing in a midsummer night breeze; or “Yellow Leaves Moon” which opens mysteriously with spiraling minor-key notes that seemingly mimic leaves whirling in the wind.
Songs inspired by winter are often my favorite on an album, and the enchanting “Snow Moon” is certainly one of my favorites on this one. Featuring an ensemble of flute, harp and keyboards, Bendo uses these instruments to create softly twinkling effects that seemingly portray a wintry scene of moonlit snowflakes gently swirling in the wind. Closing out the album is the lively and rhythmic “Berry Moon”; set to a dynamic waltzing pace, this piece conveys a cheerful mood of renewal and celebration.
One thing I both noticed and enjoyed while listening to this album, is how my attention always seemed to be drawn upwards – at the moon, the stars and the treetops. It would seem the composer wanted to evoke a sense of fascination and joyful intrigue in her audience, and she’s certainly excelled at that.
Sure to be cherished by many listeners, Woodland Moonsbeautifully embodies the often hard-to-recapture mystique of many earlier “new age” music albums – particularly those in the style of Windham Hill Records or the outstanding collaborations of R. Carlos Nakai and Peter Kater. Additionally, Marcia Watson Bendo’s notable integration of classical motifs would make her music especially well-suited for ballet and other visual dance performances.
Warmly engaging and uplifting, yet overall subtle enough to play in a spa setting, Woodland Moons is a superb album and can only signal more wonderful things to come from this artist! ~ Candice Michelle
Marcia's album, "Woodland Moons" Tops The One World Music Chart for December 2018 (2nd month in a row). View The Chart and/or listen to the December Chart Show for 2018 below.
Marcia Watson Bendo
Throughout my 20+ years of reviewing music, now and then a debut recording comes along that blows my socks off! Woodland Moons from Marcia Watson Bendo (Native flutes, keyboards, and orchestrations) is one of those rare "Are you kidding me?" albums. Woodland Moons blends sonorous Native flute melodies with lush orchestrations and features influences from both the classical and new age genres, as well as, obviously Native fusion music. Percussionist Rafael Pereira contributes on nine of the twelve tracks and the acclaimed Trammell Starks handled mixing and mastering. Watson Bendo's flute playing is magical, but it's the depth and breadth of her compositions and her spot-on perfect orchestrations that elevates Woodland Moons to its heights of beauty and artistry.
Review by Bill Binkelman
Link to Review
Marcia's debut album, "Woodland Moons" is #1 on the One World Music Radio Chart for the month of November. You may download the chart here. Click on the attachments below.
Marcia'a album "Woodland Moons" comes in #2 on the Top 100 One World Music Chart. For more info.
To see the complete and full chart - Click Here
Review by Steve Sheppard c/o OneWorldMusic.com.
There are times when you think you have heard all that there is to hear and then an album of such clarity and beauty hits you straight in the face and demands to be listened to and adored on high, that statement rings true for this new offering by Marcia Watson Bendo, entitled Woodland Moons.
This music journey of splendour starts with the track Fallen Leaves Moon, the sullen and moody composition falls around us like a day in late October, the flute is perfection indeed, but the symphonic backdrop is simply sublime at setting this vast cinematic offering squarely on stage for us all to admire.
It is no wonder to me that fans of contemporary instrumental music are falling in love with this release, it has everything, and on this next piece calledPlanting Moon we hear even more, we hear the energy build, we feel a sense of excitement through the music, the combination of an uplifting flute, a wonderfully enchanting piano and a sumptuous array of fine orchestrations.
The moon is always a subject of mystery and imagination and throughout my life I have looked up and have been entranced by her beauty. On Strawberry Moon the inclusion of percussion can be found, this comes courtesy of the only other musician on the album in Rafael Pereira, mix this with some startlingly significant piano and the constant narration of the flute, and once more you have a total winner of a track.
It must be said I am struggling to believe that this is a debut album, something of such quality you may find in someone’s collection at about the three album mark, but it’s true, and if you keep an open ear to this next piece calledMidsummer Moon you will see why. Midsummer nights are indeed magical and the artist has created that energy right here in this piece that is so redolent of the subject matter, why I could even see Puck himself playing his pipes in the bow of a tree, while I gaze upwards at the midsummer moon and as I do, I repeat the words of Shakespeare “My soul is in the sky.” Musically this even touches the hem of the classical genre and one of the finest performances off the entire album can be found right here!
We are approaching the mid-way marker on our musical voyage of great beauty and as we do so we arrive at a graphic opportunity superbly seized by the artist called Forest Moon. There is a lightness of spirit about this offering that is very appealing, it could easily follow our midsummer night in the woodlands of mystery and magic. Some delicate natural sounds give us the backdrop of a Forest in the light of a new day, and the style and essence almost manifest a first light moment of musical brilliance by the musician on the flute.
Yellow Leaves Moon is our arrival at the fulcrum of the release, once more Watson Bendo conjures up a magical energy, one that sparkles through and into her performance, but then this tranquil fluency drifts over us completely so that we may enjoy this breath taking reverie via the flute and the lush orchestrations completely.
Being one who has studied animal totems for many years, I adored this next piece called Big Bear Moon. Watson Bendo has it down to a tee here. The slow and almost bizarrely delicate energies of the Bear are captured here, in a delightfully fun performance; the chimes and orchestrations just add weight to an already clever arrangement.
One of the most charming offerings on this album comes at this juncture and called Snow Moon. The symbiotic connection between flute and piano are melded here with perfection, a little reflective energy and an imploring performance by the artist go to make this a stunningly pretty, but also remarkably pristine composition, and here one can truly enjoy the attention to detail and the essence of the subject matter with ease.
As we edge ever deeper into this dimension created by Marcia Watson Bendo, we come across a delicate arrangement called Crane Moon. The piano here manifests the open musical threshold for us to crossover and into, the master narrator weaves tones from her flute in a wizardly fashion, one can see the Crane very carefully walk with such softness and exactness, it is exciting to listen to and be enthralled by this offering. A tip of the hat goes to Rafael Pereira for those timely crescendos.
Our journey has been long, and as we near a bend in the road we see the sign for the longest offering on the release, this one is called Maple Sugar Moon. There is a real rich tapestry of musical craft within this piece, one that almost glistens with expectation. The tempo is slow and full and one must say to this point that the piano here and added sounds, all go to manifesting a whole new layer of brilliance already created by the flute.
The penultimate piece off the release is fun and quite charming, Little Bear Moon, at just less than five minutes long it is the shortest track off the album, but that hardly matters as you will find another masterful performance and another one that has a really lively sense of fun within its light-hearted construction.
It is amazing to think that we are now about to open the last doorway to the album and it is a piece rather charmingly called Berry Moon. This is the perfect end of release piece as well, it has a slight elevation in tempo, it has a fluent and crisp melody, one that will raise the energy of the listener enabling them to leave the album fully refreshed, entertained and having enjoyed every second of what is a superb compilation of beautifully crafted arrangements.
Woodland Moons the debut album, yes I did just say that, has to one of the best released so far this year long. The production quality, the splendid orchestrations take us into an almost David Arkenstone styled realm, and through the tremendous performances from Watson Bendo, the listener will feel like they have journeyed far and wide to wonderful musical vistas, and would not hesitate to do so again. Woodland Moons is one of those albums you just cannot fault and as such I can see this going on to being a real listener favourite and a huge chart hit.
“After the first month of airplay, WOODLAND MOONS is in the #2 spot on the global Zone Music Reporter Top 100 Radio AirPlay Chart for September. “
New Age-World Instrumental Debut Album! Marcia Watson Bendo - “Woodland Moons’’
Marcia Watson Bendo is a multi-talented artist that is accomplished in many disciplines including the violin and a large selection of Native American Flutes. Picking up a woodwind changed her life and her music. Woodland Moons is her tribute to that instrument. In her own words, the artist explains what her music stands for…. “I strive to artistically create music that resonates with people by expressing an emotion, an image, a story, or reviving a memory.”
This Wonderful Native flute premier debut album “Woodland Moons” truly sets Marcia’s delightful playing apart from all the others, the plethora of instruments she plays on this marvellous release…is just something very special - the perfect introduction to a new talent you’ll be hearing much more from in the future…
Take a musical journey into the heart of the night on “Woodland Moons”, Let Marcia’s lilting flute melodies, enhanced with piano, superb orchestrations, and gentle rhythms, whisk you away, dissolving your cares from the day's stress. Featuring flawless mixing and mastering by the renowned Trammell Starks.
Marcia’s music gives the listener a sense of “connection” that many other players just can’t realize, no matter how much musical education or experience they may have, and the songs she has created here are as rich in diversity as possible… one of the best examples of that broad range is the “heavy” sounds you might expect with a tune titled “Big Bear Moon“… it’s not hard (at all) to imagine woodland encounters with a lumbering, furry creature… and yet, there’s a gentleness about the piece that makes it very attractive for the long term… this one will be getting a lot of replays – I wouldn’t be at all surprised to find this composition being nominated for and winning an award.
Of the 12 aural adventures Marcia offers up, her mastery at “weaving” various instruments into a full-blown orchestral experience makes her stand apart most enchantingly and this musical maestro has delivered a very delightful debut album indeed, you’ll want to hear this album…more & more.
The impressions of classical music came at an early age for multi-instrumentalist Marcia Watson Bendo. The vibrations of strings and the air movement of woodwinds caught her attention and she decided that music would be an important part of her life. That and maybe being a scientist. At age seven it was 88 keys, and through the years, violin, the clarinet, and the Native American flute. Recently she learned to play the harp. It is that never ending curiosity and desire to learn that has inspired her continued pursuit of a long career in the music industry.
Marcia’s formative years were spent playing the violin, during which she performed with the Tulsa Philharmonic Orchestra, The Tulsa Opera, and The Tulsa Ballet strengthening her classical roots. She went on to perform with notables such as Sammy Davis Jr., Doc Severinsen, and Ella Fitzgerald and with conductors Skitch Henderson and Arthur Fiedler. She continued her career as a free-lance violinist playing with Tom Jones, Don Williams, and she appeared in an Osmond Productions concert on HBO television.
Bendo picked up the Native American flute in 2011 and her career changed. She began composing for the flute and piano, honed her recording skills, and composed an album called Woodland Moons that featured flutes accompanied by light orchestral elements.
Marcia lives each day to focus on her music. Her joy in the journey, She gauges her success not on celebrity, but in the potential exchange with her listeners. It is the little things that she appreciates; learning new material and breathing life into her music.
Her current music embraces several genres such as classical, traditional folk and World genres with unique instrumental textures not typically heard in Native American Flute recordings. What gives her the most pleasure is connecting with her listeners on many levels, both musically and spiritually.
She has many goals for her music, but on a personal level, she believes it’s important to be informed about evolving issues affecting the music industry, artists, and creators. She hopes that the technology which allows people to create, record, share, and collaborate with others worldwide will retain the human element in its evolution.
Marcia Watson Bendo has delivered a gem of a debut album, it culminates a career in music perfecting her craft with some of the biggest names in the music industry…now showcasing her many unique talents with the world.
We really hope that Marcia continues this journey…the world now has a new, very bright musical star!
PhaseGlobalRadio.com proudly presents Marcia Watson Bendo and her debut album Woodland Moons, it’s now available via the links below.
New Review by Phase Global Radio. Re-posted. Archive is here.
Marcia has been awarded 2 “Silver Medals” by the Global Music Awards ("Debut Album" and "New Age | Native American Album"). These awards were judged by a panel of twelve people. For more info visit: GlobalMusicAwards.com